Saturday, April 21, 2012

ALTAMIRA FINE ART, A Gerald Peters Exhibit, NMWA entry, and Red Horses



Hello Everyone!

I accidentally posted this post at the same time as the Giclee Sale last week and since it posted under the 'sale' post most people did not see it.  Please excuse the redundancy if you already have seen it. It is part of my 'blog' learning curve.  

Spring is in the air and with it are longer days and renewed energy!  Jackson rarely has spring come this early so it is a treat, the birds that migrate are here and the aspens are budding.  It is a bit of a shock and nobody is complaining... quite the contrary.   
There is much to report in this blog post. I will start with:

A gallery transition from Trio Fine Art to ALTAMIRA Fine Art

 I will be in transition from Trio Fine Art, which I co-owned and co-operated for six years, to ALTAMIRA Fine Art on May first.  The reason for this new chapter is that I want to have more time to paint.  Running Trio Fine Art has been an incredibly rewarding experience in regards to having the opportunity to work with, and create art alongside, the talent of Kathryn Turner, Molly Hirschfield, Lee Riddell, and Jennifer Hoffman.  I am proud of what Trio has become and would like to extend a huge amount of gratitude to my business partners, collectors, family and friends for your support.  Neither Trio Fine Art nor my career would be where they are without your unwavering enthusiasm. I am excited to have the opportunity to exhibit at ALTAMIRA and will have a one woman exhibition this summer from July 24th - August 14th, with a reception on August 2nd. If you are in town please come and the paintings will be available to view online.

Other exciting news is:
An Exhibit at The Gerald Peters Gallery

'Works on Paper' 
The Gerald Peters Gallery - Santa Fe
May 11th - June 16th
Hedley - Johnson - Loken - Vhay

The following paintings will be displayed as part of this exhibit.
'Joy Four' - 10 x 10 - Watercolor on 300lb Arches Hot Press Paper - GP - SOLD
'Joy Five' - 10 x 10 - Watercolor on 300 lb Arches Hot Press Paper - GP
'Joy Six' - 10 x 10 - Watercolor on 300 lb. Arches Hot Press Paper - GP - SOLD 
It is no wonder that hummingbirds are a symbol of abundance and joy.  I paint them as the sheer sight or sound of them immediately fills my soul with delight.  


'Blue Mustang One' - 9 x 15 - Watercolor on 300 lb. Arches Hot Press Paper  - GP
'Blue Mustang Two' -  9 x 13 - Watercolor on 300 lb. Arches Hot Press Paper - GP
Outside of the fact that I have an affinity for horses in general, Mustangs have a special place in my heart as I grew up in Nevada and have been watching them in the desert ever since I was a child.  The wild horse epitomizes the west. 

For more information about these pieces or the exhibit please contact Maria Hajic and the below email link:

It is an honor to be asked for the second year in a 
row to participate in the 'More' category of the 
National Museum of Wildlife Art's Western Visions Miniatures and More Exhibit 
this upcoming September.
'A Kindred Glow' - 20 x 36 - Oil on Belgian Linen - NMWA
This painting was inspired by a John Singer Sargent (American, 1850 - 1925) painting, titled Smoke of Ambergris, that I saw this past January at the Clark Museum in Williamstown, Massachusetts. Sargent's handling of paint is like none other and to be able to see the brush strokes in person made me a better painter. Every few years there is a painting that changes the way that I work and see. This was one of those. 'A Kindred Glow' was also inspired by the beauty of this bird and my fascination of painting white objects. I would like to thank Henry Holdsworth for his generosity in allowing me to work from his photographs for this piece.
'Ode to O'Keeffe Two Sketch' - 5 x 7 - Conte on Paper - NMWA
This sketch will be a part of the drawing division of the NMWA Miniatures and More exhibit. 
These works will be available on the night of September 14th.
For more information please click on the link below:

New Red Horses

The red horses paintings are created purely from imagination, they are done outside of reference material.  They are based upon thirty years of drawing the horse, japanese sumi-e brush painting, and inspiration from deceased artist Craig Sheppard,  and the abstract sculptures of Deborah Butterfield. These works are numbered as to their place in a trajectory of these paintings which began in 2007.

There are a few new facets to this group of Red Horses. I have not yet done a colt - Red Horse 30, nor have i done one as small as Red Horse 45 which is 3.5 x 5. I have also been exploring a new substrate, 4 ply Bristol (on RH 41 and 42). Bristol has a less absorbent surface so the water and the pigment float on the top which creates a lovely pooling effect with the paint. It is also smoother and brighter white which gives the paint more vibrancy. On Red Horse 41 and 42 I have added washes of red paint along with the watercolor lines of the horses.
'Red Horse 30' - 4 x 5 - Watercolor on 300 lb. Arches Hot Press Paper - Altamira
'Red Horse 45' - 3.5 x 5 - Watercolor on 300 lb. Arches Hot Press Paper - Altamira
'Red Horse 43' - 7 x 10 - Watercolor on 300 lb. Arches Hot Press Paper - Altamira
'Red Horse 41' - 7 x 9 - Watercolor on 300 lb. Arches Hot Press Paper - Altamira
'Red Horse 42' - 7 x 9 - Watercolor on 300 lb. Arches Hot Press Paper - Altamira
For Information about these Red Horses please contact Altamira Fine Art at the below link:

And last, but not least, I have to include this picture of my studio companion Uma. I never thought I would own a mini dachshund (a dog not designed for one of the coldest places in the country).  Nor did I think that I would own a dog who now has a down coat and a blue fleece jacket.  All that said, I am smitten, so she is staying.  Here is 'Uma in Blue' - she is quite proud of herself, as she should be :)!


All my best,
~September 

Monday, March 12, 2012

commissions

Hello Everyone!

We are experiencing an early spring here in jackson which is completely delightful after some very cold temperatures in january and february.  
Below is news for the month of march and what has transpired in the studio.


Commissions: 
Below are two commissions which recently have kept me company in the studio.  

'Bonner and Dude' - 20 x 30 - oil on belgian linen - sold


I love how the owner of Bonner and Dude describes them.  It is worth a read.


Dude (right) is the type  of horse who is always interested in doing the right thing.    He has a very kind nature, is gentle and smart.   He has rather famous ancestors, and he has won numerous awards in roping, trail class and other events.  He loves taking off at a dead run, but is content with a leisurely stroll, too. He has beautiful coloring and the thickest mane, ever.   He especially loves his owner, and is very interested in any sort of edible treat that may be lurking around.    He is rather retiring with other horses, and does not get into any power struggles in the field.  He and bonner are good buds, and enjoy grooming one another. 
Bonner (left) is a hunk and the class clown, too.  He does many tricks: He will fetch a frisbee, stand on his pedestal, kiss, smile and count on command, and hand you a tissue if you sneeze.   If you drop your hat or your glove he will pick it up for you. He has extremely smooth gaits, and can be ridden bareback with a halter after six months on pasture.    He hates ropes, and anything snakelike.    He is a fearless trail horse and likes seeing the countryside.   He is a glutton, and is very easily distracted by apples and carrots.    He is very focused on his owner and doesn't like her to be out of his sight during lunch breaks on the trail.  She dotes on him.  



Spring's Dance - 30 x 60 - oil on belgian linen - sold


This painting is about movement and whites.  The whites were carefully designed to sparkle amongst the neutral tones throughout the rest of the piece.  The slightly cooler white in the lower left portion of the painting is unpainted primed linen which adds drama, because of contrast, to the white of the colts stockings and blazes. 

Happy Spring!

All my best,
~September  

Monday, December 12, 2011

'flight' & two 'ex arte equinus fifth equine art competition' awards


happy holiday season to everyone! 

this is a late first friday post as i wanted to include art from the 'flight' exhibit which is currently at trio fine art - it is a group exhibition of avian subjects - please come in and see it if you are in jackson.
trio's holiday hours are thursday - saturday from 12 - 6 through the 31st of december. 
the below are pieces in the exhibit. 


'falcon gentle one' - 15 x 15 - oil on linen - sold
a special thank you to john goodell for access to the peregrine from which these two paintings were painted

'falcon gentle two' - 15 x 18 - oil on linen - sold

'downstream' - 7 1/2 x 12 - oil on linen - sold 

'joy one' - 5 1/2 x 8 1/2 - watercolor on paper  - sold

'joy two' - 5 1/2 x 8 1/2 - watercolor on paper  -  sold 

'silent glance' - 15 x 20 - charcoal on paper - Available at Altamira
special thanks to henry holdsworth for allowing me to use his photos for reference


'falcon gentle sketch' - 5 1/2 x 6 1/2 - watercolor graphite on paper - sold 


'ex arte equinus fifth annual equine art exhibit' awards

i am honored to have opened an exciting email today from the 'ex arte equinus fifth annual equine art exhibit' directors.  this exhibit has grown to represent the best of equine art being currently produced in the country.  
the below awards will be showcased in 'art horse' magazine in march of 2012. 

'nora's gait' - 12 x 24 - oil on linen - sold
winner of the editor's choice award

'alacrity' - 12 x 24 - oil on linen - sold
'honorable mention' in the painting category by painting curator, valarie wolf

i would like to thank every art enthusiast who is reading this blog for your support of my work.  whether you purchase or admire your support keeps me in the studio creating more art which is a gift.  thank you... i am grateful.

have a great holiday season!

with warmest regards,
~september 

Monday, November 7, 2011

western art & architecture, c-quito, the legacy galleries scottsdale holiday exhibit & charcoal studies

hello everyone!  
it has been an amazing few months of weather... that said, winter is just around the corner with temperatures dropping and flurries of snow on the back deck as i write.   

october was busy with excitement about an article in western art & architecture, commissions, charcoal studies, and a painting for legacy's scottsdale holiday exhibit.

it has been a great honor to have had an article written about my work in this winters issue of 'western art and architecture' magazine.  this recognition validates years of dedication to the pursuit of creating art.  seonaid campbell, an incredibly talented freelance writer & documentary film maker, did an amazing job in capturing the story.  it can be read on the link below.  please note that you will need to download the pdf to your computer and read it from there... my apologies for the added step.  if you are not technically inclined please send me an email (click here: september@vhay.com) and i will send it to your directly.  otherwise please click on the link below to download to your computer.  


below is the art that came out of the studio this month...my elves were hard at work :)

a commissioned portrait of a belgian warmblood stallion named c-quito.  he is an incredible athlete..... in 2010, he was fifth nationally in the 
regular confirmation hunters showing only 11 weeks and in 2011 he has already won 3 USHJA hunter derbies. it is an honor to be in his presence and to watch him move.  more information and videos are available on the link to his website below: 

c-quito - 12 x 24 - oil on linen - sold


in addition to the c-quito portrait a piece to be part of the legacy gallery's holiday small work show was completed, titled 'afternoon rivers'.  the exhibit will be on display starting with a reception on december 8th from 7 - 9 at the legacy gallery in scottsdale, arizona.  all works will be sold by draw. 'afternoon rivers' is a painting of horses on the crane creek ranch, which is on the snake river, in jackson, wyoming.  the pattern of light on their backs stopped me in my tracks and had to be painted.  for more information contact the legacy gallery at the below link:

'afternoon rivers' - 12 x 24 - oil on linen - sold


the below is a charcoal study done for 'afternoon rivers'.  the study is currently at trio fine art.

Crane Creek Light - 10 x 10 - Conte on Paper - Available at Altamira Fine Art 


also completed is a charcoal study for a commissioned 30 x 60 oil painting of two colts which is also available at trio fine art.
Spring Dance - 10 x 13 - Conte on Paper - Available at Altamira Fine Art


stay warm and have a wonderful month of november and an early happy thanksgiving to everyone.  
all my best,
~september 


Wednesday, October 12, 2011

a white horse, drawings & save the dates.


HAPPY FALL EVERYONE!
a time of transformation, abundance, & celebration!


i have no doubt that all who live in jackson had a glorious month of september.  what a delight to have so many indian summer days...let's hope for more in october.  the month of september was spent on drawings, commissions and paintings.  with the weather changing and the shorter days, it has been a nice time to be in the studio.


please save the date for the upcoming exhibit: 
works by 
kathryn turner, jennifer l. hoffman, lee riddell and september vhay 
 titled 'flight' at trio fine art: 
(a percentage of sales will be donated to the teton raptor center)


'flight' - december 8th - 31st - reception on december 8th from 5 - 8 




below is a recently finished oil painting of a friends mare which was purchased partially through the completion of the piece.  the most rewarding element of this piece is the warm and cool temperatures on the horses neck and the shapes of the whites areas.  the white on the jaw, top of the neck, and the back are the priming on the canvas, i.e., they are not painted.  all of the area around the horses legs is also primed canvas.  it is an optical illusion that the white of the jaw is warmer than the white around the horses legs as they are the exact same surface, primed canvas.  the surrounding paint makes the jaw look warmer.  this is a watercolor technique in which you leave the white of the paper (in this case the primed canvas) for the white areas instead of painting the area with white paint.  

nora's gait - oil on linen - 12 x 24 - sold

'spring forward' is a conte drawing done of a palomino horse here in jackson.  
it is a drawing in which a minimal amount of line creates his form.

spring forward - 18 x 20 - conte on paper - available at ALTAMIRA Fine Art 


have a wonderful month of october.  stay warm, stay dry.... 
and in tribute to steve jobs.
"stay hungry, stay foolish"
bless you mr. jobs for all that you brought to our world. 
may we all learn from you to live close to our hearts in life and in love.   

all my best!
~september 




Friday, September 2, 2011

the third 'first friday' post: southwest art magazine, fall arts, commissions, and a puppy!

hello everyone....
this has been a busy month of commissions and training a puppy so there is not much to post image wise but news to share....

southwest art article:
southwest art has done a feature story on 'birds in art' which is currently at the leigh yawkey woodson museum in wasau, wisconsin.  they have highlighted six paintings and my painting  'two is a pair', which was purchased by the national museum of wildlife art last fall, is amongst those chosen.  
to access the article please click on the below link.

fall arts festival:
there is a lot going during the month of september at trio fine art, in town and at the national museum of wildlife art.

september 8th at trio - kathryn mapes turner's one woman exhibit 5 - 8 
september 9th at trio - palates to palettes from 5 - 8 w demonstrations from 3 - 5 
september 16th at the national museum of wildlife art -
western visions miniatures and more exhibit

the below are two works of mine on exhibit at the western visions exhibit:

winters harmony - 18 x 36 - oil on linen - sold
madras morning - 10 x 14 - charcoal on paper - sold

and last but not least is my new "partner in crime"... uma...
she looks calm but is quite the whirling dervish...
she continually makes me laugh and has brought a lot of joy 
into my life... 



have a wonderful month of september as the trees start to change, the light gets lower in the sky and a crisp element is added to the air.
all my best,
~september 




Monday, August 8, 2011

the second 'first friday post' - a collectors circle painting, two oil horses, and representation in 'images west magazine'.


hello everyone!
the past month has brought the culmination of the july exhibit at trio fine art, a weeks vacation, three oil drawings, and representation in an article in 'images west magazine'.

the art magazine 'images west' has included my work in an article about horses... it can be read at the below link:

in regards to new artwork please see the below three pieces. 
this past spring i received the honor to be the focal artist for the national museum of wildlife art's '2011 collectors circle dinner'.  one person, out of the 60 that attend, will receive the below oil drawing of a bison that i photographed in lamar valley last fall.  

'a lamar stride' - 23 x 23 - oil on belgian linen - sold


enclosed please also find two oil drawings of horses. one of which is a study for the 30 x 60 oil titled 'dreams of midnight' which was in my july exhibit at trio fine art.  



'pivot play' - 12 x 12 - oil on belgian linen - sold


enjoy the rest of august!
all my best,
~september 



Wednesday, July 6, 2011

july exhibit final post - 'dreams of midnight' and 'ravens'

hello everyone!

enclosed please find the last few paintings for this july exhibit.  as promised my next post will be the first friday of august. 
enjoy the bounty brought by the long warm days of summer!
all my best,
~september   

'dreams of midnight' - oil on belgian linen - 30 x 60 - $8100 - sold
'dreams of midnight' is a painting dedicated to a horse named midnight that belonged to a friend of my father's.  this horse was well trained, gentle and had a spring in his gait.  at the age of seven i had to maneuver him next to a fence to climb on bareback and with nothing but a halter and a lead rope the two of us would explore the world.  i remember having to hang on tight to his mane when he picked up speed as my short legs were not very effective in regards to gripping his broad back for balance.  i still think about him from time to time. 


'affinity' is about soul mates....ravens mate for the length of their lives.  these two are watching the world go by shoulder by shoulder, wing by wing.








'abundantia' - oil on linen - 12 x 24 - $3200 - sold

this painting was inspired by meaningful encounters with both ravens and hummingbirds.  in native american lore hummingbirds are symbols of abundance and joy and ravens, among other things, are symbolic of being ready to take your life to a new level.  'abundantia' is the greek goddess of abundance which is represented by the hummingbird.  these two, an auspicious duo, are here to remind us of the abundance of the universe.